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Adam Merrifield

a picture of me
I am a web designer, theme designer, professional photographer and internet personality. I make many pretty things and I write a lot of content for the internet.

I am one of those guys that, because of the industry I am in, need to be connected at all times. At any given moment you'll find me posting on a forum, updating with twitter, Digging things worthy of attention, uploading pictures, or tagging cool sites.

here i am

seyDoggy Systems:
This is home base, the corporate headquarters, the hub, if you will, seyDoggy.com.

seyDesign news:
these are the RapidWeaver related posts that originally appear in the seyDesign.com blog

Uploads from seyDoggy:
these are the pictures that I upload to flickr

Merrifield Photography:
as a professional photographer I my camera ready at Merrifield-Photography.com.

delicious.com/seydoggy:
these are the websites I want to share or revisit later on. I just tag them on delicious.com.

what i am

I am the owner and operator of seyDoggy Systems, a small theme, code and design outfit based in Kitchener, Ontario, Canada. We primarily develop web based technologies but have begun to dabble in the desktop realm.

what i do

I code like a fool. I design like a fool. I am happiest when I can split my time between the two (though I tire of Photoshop faster then I do TextMate or Terminal), and somehow I have managed to etch out a living doing so.

The Wonder of Babies

The Wonder of Babies
The Wonder of Babies, originally uploaded by seyDoggy.

This is from a fairly old shoot, 6 or 7 years ago, on film, couple of strobes and umbrellas. I am about to embark on a massive reorganization of my image library and I am taking stock, if you will, of the images I have, old and new. In doing so I am coming across some old stuff I’d forgotten about.

It’s interesting to look at this stuff again and see how my style has or hasn’t changed since then. I know one thing for sure, I miss the certainty I had of film, knowing just how it would respond in just about any circumstance. Knowing how many stops latitude you had with negative vs. color transparency, to push one while pulling the other, the grain on T-Max vs Tri-X… all the stuff that just catalogued in your brain after a while.

Digital is a bit more of a mysterious beast to me still. Sometimes it behaves like slide film, and sometimes like negative film and then in the end it can all be changed in post processing. I guess it’s what keeps our minds sharp, always something new to learn.

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